WRITER, FILMMAKER, SCRIPT EDITOR

Wednesday, 11 November 2015



You read correctly, it’s that Django, with that Zorro. Bounty hunting ex-slave Django Freeman, as portrayed by Jamie Foxx in Quentin Tarantino’s movie Django Unchained, teams up with iconic swashbuckler Zorro in this comic miniseries, co-scripted by Tarantino himself with Zorro comic writer Matt Wagner.

Django meets an aging Diego de la Vega on the road in Arizona. After they’ve dispatched a gang of outlaws together, Vega enlists Django in his scheme to bring down the corrupt, slave-exploiting Archduke of Arizona.

Seeing these heroes side by side provides lots of fun, particularly when Django figures out Vega’s secret identity as Zorro and the action really gets going. What’s particularly compelling is the contrast which the writers draw between them; Zorro uses his nobleman status and clever ruses to defend the oppressed, while Django, having experienced the pain of slavery directly, is on a more personal quest and is prone to rougher, violent vengeance. 

The focus on the two heroes does mean, though, that the characters of the Archduke’s wife and son, themselves victims of the Machiavellian ruler, are underdeveloped, after initially being set up as central to the story.

If there’s one more criticism to be made, it’s that Django/Zorro lacks the flourish of a Tarantino movie. Despite artist Esteve Polls capturing all the tropes of the Western effectively and colourist Brennan Wagner giving it a strong, heated atmosphere, the whole presentation does feel much more functional than the dramatic cinematography we’ve come to expect from the director’s movies.

Nevertheless, this volume’s story feels like a worthy sequel to Unchained, not least for the pleasure of seeing the two very different outlaws working together. Oh, and the very clever mash-up of one of the movie’s most famous lines with an important part of the Zorro mythos is a moment to savour.

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